![]() The tonic note (shown as *) is the starting point and is always the 1st note in the mode.Īgain, the final 8th note is the octave note, having the same name as the tonic note. To count up a Half-tone (semitone), count up from the last note up by one physical piano key, either white or black. To count up a Whole tone, count up by two physical piano keys, either white or black. The E-flat lydian mode re-uses this mode counting pattern, but starts from note Eb instead. The lydian mode uses the W-W-W-H-W-W-H note counting rule to identify the note positions of 7 natural white notes starting from note F. This can be seen by looking at the Mode table showing all mode names with only white / natural notes used. In their simplest / untransposed form, modes do not contain any sharp or flat notes. This step applies the E-flat lydian mode note positions to so that the correct piano keys and note pitches can be identified. G is the mediant of the E-flat lydian modeĪ is the subdominant of the E-flat lydian modeīb is the dominant of the E-flat lydian modeĬ is the submediant of the E-flat lydian modeĭ is the leading tone of the E-flat lydian modeĮb is the octave of the E-flat lydian mode These note names are shown below on the treble clef followed by the bass clef.Įb is the tonic of the E-flat lydian modeį is the supertonic of the E-flat lydian mode Middle C (midi note 60) is shown with an orange line under the 2nd note on the piano diagram. The 8th note of the E-flat lydian mode is Eb The 7th note of the E-flat lydian mode is D The 6th note of the E-flat lydian mode is C The 5th note of the E-flat lydian mode is Bb ![]() The 4th note of the E-flat lydian mode is A The 3rd note of the E-flat lydian mode is G The 2nd note of the E-flat lydian mode is F ![]() The 1st note of the E-flat lydian mode is Eb It also shows the scale degree chart for all 8 notes. This step shows the ascending E-flat lydian mode on the piano, treble clef and bass clef. ![]()
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